Archive for July, 2009

On “Brüno” and His Universal Gay Appeal

Tuesday, July 21st, 2009

Did I laugh at “Brüno”? Yes Did I laugh as much as I did at “Borat”? No.

Personally, I think Sacha Baron Cohen is a skilled, clever actor whose absorption into a character is fascinating to watch. I feel about him the way critics in my youth raved about the late Peter Sellers. I liked watching Sellers but I often found the actor a bit mechanical and I couldn’t connect to a humanity in some of his performances. Cohen lets a humanity break through, almost as if against its will. For those of us who watched him on HBO when he was playing “Ali G.,” we’d seen a bit of Brüno in some episodes. When the movie featuring the gay fashionista was announced, I felt a slight chill that that artist would have to contend with corporate tampering to a degree.

I was right. I noticed that “Brüno” would be a Universal release. That studio has merged with NBC. That would mean Cohen’s script could be subject to change, change that would insert NBC “product placement.” To me, one of the funniest scenes in the movie shows Bruno as the worst background actor ever to be used in a courtroom scene for a “Law & Order” episode. Cohen’s acting was fabulous in that section. However, I sensed the sequence was ordered by corporate — “We need to include something promoting one of our NBC shows.” The actors surrounding Cohen in that sequence seemed to be in on the gag which smudges the “reality” of Cohen’s surreal work. Also NBC calculatedly kicked open the expensive doors and made that kind of flamboyant gay male a stock character nowadays. Think Jack on “Will & Grace,” think of Carson Kressley’s stand-out naughty but nice gayness on “Queer Eye for the Straight Guy,” think of Steven Cojocaru when he was a contributor on “Today” and Ross the Intern on the “Tonight” show. All those are NBC programs.

When Cohen as Brüno had a too-long interview with Matt Lauer on “Today,” Cohen was having problems. You could see him working, struggling a bit. For some reason, TV news executives will constantly book edgy comic performers to be guests on a live news program and then get nervous when the comics do the quality of work that got them booked on the show in the first place. Brüno sat across from Lauer (playing straight man) and referred to his “fellow gay Austrian, Arnold Schwarzenegger,” just as he did onscreen. That got a big laugh in the movie theater when I saw it. I heard nervous laughter on the “Today” set. Schwarzenegger is married to NBC’s Maria Shriver. Years ago, he canceled a press conference and chose, instead, to announce his political ambitions on the “Tonight” show with Jay Leno. Cohen as Brüno, in a live network appearance, proved that the erasure of the line between news and entertainment was a sad thing indeed. Actor and Newsman were both trapped in their on-camera personas, trying to be true to their personas while also promoting a corporate product for mass entertainment.

Barbara Walters blasted the film. She hated the prolonged full-frontal male nudity. I thought the scene was exactly what the annoying Brüno would have done. It was perfect for the character. I also think that Cohen is a heterosexual man who likes the male organ the way a lot of guys like looking at new cars. If he was in the gym locker room, he’d be the kind of guy who’d say to a buddy, “Wow, mate, you’ve got a lovely penis. No wonder your wife is always so happy. Cheers.” About his improvisational absorption into a comic character being as deep yet warmer than the work of Peter Sellers, there’s one scene in “Brüno” that highlights it: The selfish, vapid and ruthless gay fame seeker has a long-suffering, shy German assistant. The assistant is in love with his boss. In one scene, the assistant gathers his courage and makes his affections known to Brüno. Cohen brilliantly shows a crack in Brüno’s gay celebrity mask revealing the pathetic middle-aged man who is offered something that he knows his more substantial than the spotlight he chases. It’s like suddenly seeing a number on a paint-by-the-numbers painting and Bruno hurriedly hides it with a random dark color. Ms. Walters missed that acting excellence because she could not get past the penis.
bruno2

Shirley MacLaine on Her “Terms”

Friday, July 17th, 2009

Being a widow works for Shirley MacLaine. In her movie debut, she played a young widow with a little boy in Alfred Hitchcock’s kooky 1955 mystery, “The Trouble with Harry.” She was a non-merry widow trying to unload millions of dollars after losing wealthy husbands played by Dick Van Dyke, Paul Newman, Robert Mitchum and Gene Kelly in the even kookier 1964 farce, “What A Way To Go,” a guilty pleasure must-see if only for the fabulously over-the-top fashions on Shirley designed by Hollywood legend, Edith Head. Then came “Terms of Endearment” in 1983.

Let’s face it — for an actress who has talked and written about her belief in reincarnation (among other things), Shirley MacLaine was definitely born to play Aurora Greenway in that classic comedy/drama about an overbearing widowed mother’s love. James L. Brooks, the brilliant writer/director/producer who gave us “The Mary Tyler Moore Show,” and “Taxi,” guided her to a very well-deserved Best Actress Academy Award victory. But getting that Hollywood gold wasn’t easy. MacLaine was a guest on my VH1 talk show back in 1989 and revealed that her director didn’t exactly endear himself to her right before shooting on “Terms of Endearment” began.

Here’s the clip:
Shirley MacLaine with Bobby Rivers

If you’d like to see other archive clips from my prime time years on VH1, here’s a link for you:
youtube.com/BobbyRiversTV

Meryl Streep on Liza Minnelli

Sunday, July 5th, 2009

(This is my first attempt to attach one of my videos in my blog section so I don’t have to disturb my apartment-seeking webmaster.)

When Meryl Streep was promoting “A Cry in the Dark” — the movie that we’ve all come to call “A Dingo Ate My Baby” — she granted me a half-hour of her time during her day of press interviews so I could tape our chat for my old 1988 VH1 celebrity talk show.

In my research, I’d read that Liza Minnelli was an acting inspiration to Streep when Liza was starring in a Broadway musical, “The Act,” directed by Martin Scorcese. I asked her about that and here’s what Meryl Streep told me. Click on and play:

Meryl Streep with Bobby Rivers

That’s the kind of TV work I love doing.